Category: Favorite Authors

The abiding attraction of Mr. Darcy and other adventures in reading

My reading week in review: Miéville, Austen, Marcus Samuelsson, Mary Robinette Kowal.

I love how the things we read connect to each other in unexpected ways. But it is not so unexpected that a speculative fiction novel set in the time of Jane Austen would connect with Pride & Prejudice – it is quite deliberate. But it is rather unexpected that – three days after I re-read P&P, Without a Summer would appear on my hold shelf at the library. And since I’d forgotten the premise of the novel approximately 30 seconds after I put it on hold, it was quite surprising to my little brain when I opened it and was reading of proper ladies, gentleman of the peerage, and – oh, yeah – magicians. Good thing I love surprises. I’ve only just started the book (okay, I’m 125 pages in), but so far it’s good. It doesn’t try to be Jane Austen (which irritates me), it just lives in her world (well, her world if it had magic) – and does a good job of it.

Speaking of Pride and Prejudice, I think I figured out why Mr. Darcy has been such an object of female adoration for so long. Long before he was impersonated (quite ably, I might add) by Colin Firth, Matthew MacFadyen* and the like, he was merely words on a page. But such words!

Colin Firth Mr. Darcy Pride & Prejudice
Obligatory photo of Mr. Darcy looking dreamy.

We – or at least *I* – love him because he is articulate. And a critical thinker. And he listens when the woman he loves speaks, and attempts to improve himself when he sees his own faults. And Jane does the same in return. I think this consideration – and certainly the fact that both of them behave so admirably – is highly unusual in any romantic fiction (maybe I’m wrong ). And it’s essential in real life. And it’s DAMNED attractive. Even when he’s angry and humiliated, Darcy writes her a letter that compliments her in many ways and assumes she will give his words a fair hearing, even if she does hate him. At every turn, he treats her as a capable, thinking human being, not an empty-headed ornament. Who doesn’t love that?

I’m not sure where I saw Yes, Chef discussed – Twitter? a Powell’s email? I have no clue – but the story intrigued me. A very young man is adopted out of Ethiopia to Sweden, where he grows up helping his grandmother cook and becomes an award-winning chef in America. I’d never heard of Marcus Samuelsson previous to this (though there are several ways I might have if I paid any attention). His memoir is well-written and a great story of the global village we are living in today – plus lots of travel and food. So if I enjoyed this book knowing nothing about him, I imagine fans of his will be delighted.

 

*I originally typed this as Angus MacFadyen – an even more attractive actor I also adore. They are apparently unrelated except in some crazy place in my head.

Me + World: The Girl with No Shadow by Joanne Harris

I’ve read some really great books lately and have been keeping them mostly to myself.  Today, the selfishness ends!

The Girl with No Shadow by Joanne Harris (whom I’ve slathered much love on here and here) is the next chapter of the story of Vianne and Anouk Rocher from Chocolat (the book, of course, not the film, though the stories are close enough that film-goers would enjoy it, I think).   It is every bit as wonderful as Harris’s best stuff.

It’s five years since we’ve been in Lansquenet and things are very different for Vianne. She’s given birth to a second child (Rosette) and has consented to marry a man she does not love.  She’s hiding from the world instead of trying to bring magic to it. Anouk is entering puberty afraid of herself, the magic inside her and the world around her, and wishes her mother was the woman she used to be.  Enter Zozie.

Zozie is everything Vianne used to be, but without the compassion and kindness. She is cool and interesting and not afraid to attract attention. She sees the potential in Anouk and wants it for her own selfish reasons. But in truth, she’s hiding even more than Vianne is – from herself more than anyone.

Harris’s writing is stellar, as always. The copy I have is the P.S. version, with interviews and background material, and I read every bit so I could live with the book and characters a little longer. I was visiting my sister and her family in the wilds of Northwest Montana and read it by flashlight in my tent, surrounded by the sounds of horses grazing around (and sometimes underneath) my tent late at night. The strange surroundings only added to the feeling that I was really in another world, living with Anouk and the others in Paris.

I’m not sure I can articulate what it is I love about Harris. It’s the same thing I love about a lot of authors, who write a lot of different stuff (Miéville, Chabon, De Lint, Shields, Kingsolver). Her works speaks of truths I knew but hadn’t recognized. Her characters are people I’ve been, or met, or would like to meet. I feel as if I know myself better at the end of the book than I did at the beginning. Her writing has a beauty apart from the meaning of the words. Her work helps me feel more strongly connected to the world.

It’s hard to turn the last page, sometimes, and let that go.

 

My new love: The Kraken by China Mieville

True Story: The first in-depth article I read regarding China Miéville was a NY Times article about The Kraken, his latest novel (2010).  I found this article because (of course) Neil Gaiman linked it in his blog. (Or maybe on twitter, since I can’t seem to find it on the blog.)  It was this article, along w/Neil’s recommendation, that got him on my list of authors to check out. After The Scar, I knew I’d be keeping track of his work. But I just finally read The Kraken, after four other books by Miéville.  And I’d forgotten that the article was about this one until I went looking for a pic for this blog.

Art by Vincent Chong

The Kraken is my favorite so far, though I’ve loved everything I’ve read. Here are today’s reasons why I am in love with China Miéville:

 

 

1) I don’t always understand what the heck he’s talking about.  This is rare, especially in a work of fiction.

2) Even when I don’t understand exactly he’s talking about, I’m not irritated by it. It’s not bad writing, it’s fantastic writing that comes across as reality – we don’t always know what the heck is going on!  I’m right there with the rest of the characters. Most of them manage to muddle through somehow, like we all do.

3) He loves to play with words. He makes up words for concepts that don’t currently exist (in mainstream culture, at least) and plays with the language while labeling them.

4) He’s not ashamed of his geek flag, and slips his pop culture references in with originality and tons of humor.

5) I’ve yet to guess more than 50% of any story (of his) that I’ve read (4 novels & one short story collection), and never been disappointed. Many of his plot twist are not just surprising, but truly mind-blowing. As in: I have to put the book down and marvel at the new place he’s taken me in my brain. He doesn’t take things to the next level – he skips 100 steps and lands somewhere much more shocking, and rearranges everything you just read into something new and even more impressive. All without breaking the tension.

Go. Read.

 

best read lately – Zero History by William Gibson

The fiction that William Gibson writes now cannot strictly be called Science Fiction (or, if you prefer, speculative fiction). The world in Zero History (and the rest of the Blue Ant trilogy, Pattern Recognition and Spook Country) contains nothing that is not currently available in the world today. Sometimes, you have to make an effort to remember that he’s made none of these facts up. Of course the plot and people and details of their story are fictional – but all have been created by things that really exist. The world in the Blue Ant trilogy is our world, we live in it. And seen through Gibson’s eyes – it’s a crazy, freaky, fabulous place.

The difference – the thing that makes him incredible and amazing and worthy of homage and envy – is his ability to translate a unique viewpoint into prose that puts the reader firmly behind his eyeballs (real or metaphorical) so that they see the world new and different. He seems to have ‘created a new world’ out of the real world that surrounds us. I imagine that he developed this skill by building ‘fake’ worlds inspired by what he saw in the real world, until the world morphed and the reverse was now more interesting or inspirational or what-have-you.

The plot is slightly less labyrinthine than many previous Gibson novels, but no less satisfying. And (spoiler alert) the meeting between Hollis and the never-named Cayce had me jumping for happy-joy.  These characters echo much of my own personal world-view, and I’m sure that Hollis and Cayce and I would be friends.

I feel I should mention (for those who’ve not read Gibson) that he writes fantastic female characters, without it ever feeling like he’s trying to write a strong female lead character. All of his characters are nuanced and real and convincing, and many of them happen to be female – females recognizable as fully human and in no way singled out as unusual in being so. This is certainly true for the Blue Ant trilogy, and if memory serves, is true for previous works. Chevette from the Bridge Trilogy (Virtual Light, Idoru, All Tomorrow’s Parties) is a favorite, and I’ve loved Cayce since the first page of Pattern Recognition.

I went to see William Gibson at Powell’s in September (day two of his book tour – yay living in Portland!) to hear him read from Zero History. And truly, to be in the same room with him and get a feel for who he is. Again, as with Chabon, it was everything I’d hoped it would be.  I’d recently listened to Spook Country on audio (not read by him) and so it was easy to slip back into that world.  The descriptions sound even more odd when you are listening to them rather than being on the page, where you can go back and read them again to figure out what familiar object he’s describing in such unfamiliar terms. I’d read Spook Country several times before hearing it, so I was simply being reminding, not told for the first time.

I am super-focused on getting my debts paid off right now, and don’t usually buy hardback books anymore, so I didn’t buy a copy that day. I’d had Zero History on hold at the library for more than a month the day the book was released (I think I was something like #26 on the list) and was ever-so-patiently waiting for my turn. It finally came the day before I left for Alaska for six days of child- and friend-bonding. Perfect! There’s nothing better than a highly-anticipated read on a trip with many plane rides and days spent waiting for people to get off work. I almost started it again as soon as I’d finished it (which I don’t believe I’ve ever done). And I was sad to give it back to the library – but of course did so quickly after returning home, since my book-receiving karma must be kept in tip-top shape at my only current, dependable source for new reading material. I’m tempted to put it on hold again right now so I can read it again soon. Though not too soon – currently 135 holds on 44 copies. It makes me happy to see how many other people appreciate fabulous writing and a unique world-view. Go. Read it. Start with Pattern Recognition. You won’t be sorry.

Just some of the reading pleasures discovered in June of the year 2010

I’ve once again broken the list of books I read into two posts – scientifically separated into ‘those I’ve typed up’ and ‘those I haven’t finished typing yet.’ Only 13 books read in June, and that’s including two audio books and two I did not finish. In my defense, I was on vacation for almost half that time, so I actually had a social life (but also time to read on airplanes. hmm)

Avram Davidson Treasury. I only read a few of the stories in this collection of horror stories (unsurprisingly recommended by Mr. Gaiman). Not bad, but not really my thing.

The Child that Books Built by Francis Spufford. Most definitely my thing. Spufford examines the books he read as a child – after confessing that he is a devourer of fiction and an addict. Narnia, Little House on the Prairie, most of the books he discusses are books I also loved as a child – and he looks at how they shaped and fed him as a human being and helped make him the person he is now – while never being boring once. Loved it. Need to own this one and read it all the way through in one shot, instead of reading the first half in one week and then the second half two weeks later after returning from vacation.

The Scar by China Miéville. The night before I left on a multi-city, 12-day vacation, I was horrified to discover that I had no books to take with me. And by ‘no books’, I mean only one or two that looked interesting. Unbelievable. I was so worried about making sure I didn’t get fines for overdue books while I was gone that I forgot to stock up!

And then I remembered another of the great things about living in Portland – the bookstore at the airport is POWELL’S! And knowing that, I was able to sleep peacefully. Going to the airport early, as recommended by TSA, is no hardship when you can spend that (unnecessary, in this case) time browsing a good bookstore – with practically a mandate to buy something, since you have exactly two books to cover three days of flying in your 12 day trip. The Scar is one of the two books I bought that morning (Dune being the other – no, I’ve never read it. Yes, I know they can yank my sci-fi card for that) and the one I decided would be good Portland-to-Chicago reading material. And it was. Science-Fi-Fantasy-Otherworld fiction at its finest. It was strange to find that – while I didn’t really like or dislike the main character, Bellis, I could  not stop reading it. A convoluted, elaborate world – that apparently resides in a few other novels by Miéville – full of well-drawn human-people and nonhuman-people – and some very NON-human-nonhumans as well. This book rekindled a desire to read more sci-fi that I have yet to really indulge. But every time I see The Scar on the bookshelf, I want to go to the store.

Everything is Illuminated by Jonathon Saffron Foer. This is the first novel by the fabulous JSF (who I heap praise on here, and who can be heard here) which I bought at the bookstore* closest to my big Sista’s house in New Hampshire – not realizing that I’d read it before (but thankfully did not actually own. Of course, if I’d owned it, I’d likely have remembered that I read it). Not as utterly fantastic as Extremely Loud and Incredibly Close, but still crazy-good by any other standard.

This novel is the story of a girl in an old picture as imagined by JSFoer, and the story of someone, coincidentally, named JSFoer, who travels to Ukraine to do research on said girl, as told by the very-much-not-a-professional tour guide he employs while there. Amazing in its ability to fashion a beautiful story in such a strange way.

*Four books are still not enough, duh. And the Big Sista asked what we wanted to see/do, and I wanted to see and most definitely do the bookstore. It was a pretty good bookstore considering the very small population in the area. It had a big touristy focus that didn’t take away from the other sections, and even a small used-books section that I totally missed on our first trip there. (Second trip was because Little Sista had to return her broken booklight. For reals. Not my idea.)

Preludes and Nocturnes by Neil Gaiman, Sam Kieth, Mike Dringenberg and Malcolm Jones, III. In the category of ‘the strangest way in which Gaiman has materialized in my life without my seeking him’, I present the appearance of the graphic novel, Preludes and Nocturnes.

After a significantly-less-than-pleasant and not-even-close-to-timely trip from Chicago to New Hampshire, I arrived with both Sistas and one niece at Big Sista’s house at something like 4:30am (scheduled arrival: 11pmish). We were variously tired and lagged and hungry and trying to ready ourselves mentally for sleeping. I wandered into the kitchen because hungry was something I could probably remove from the list rather easily – and what do I find sitting on a side table in the hall? Preludes and Nocturnes – the first eight books of Gaiman’s Sandman series. Belonged to Big Brutha-in-Law, bought for him by a co-worker not long before that day. Trust me, at 5am it was a freaky coincidence. As a bonus, it was a book I had not read (having confused it with Endless Nights, which I had read). People wonder why I’m a little strange on the subject of Neil Gaiman.

This book is the set-up of the character and world of the Sandman (also known as Dream, Morpheus and many other names in time and space). I think I went online and reserved Absolute Sandman 1 after reading it, but it may have been before that. This books is also the reason I was cranky (here) when I finally got AS 1, because I’d read the eight of the 20 stories already and had to wait forever again for AS 2.

The Lonely Polygamist by Barry Udall. Reviewed here.

Avram Davidson Treasury – I only read a few of the stories in this collection of horror stories (unsurprisingly recommended by Mr. Gaiman). Not bad, but not really my thing.

The Child that Books Built – Francis Spufford. Most definitely my thing. Spufford goes through the books he read as achild – after confessing that he is a devourer of fiction and an addict. Narnia, Little House on the Prairie, most of the books he discusses are books I also loved as a child – and he looks at how the shaped and fed his as a human being and help make him the person he is now. Loved it. Need to wont this one and read it all th way through in one shot, instead of reading the first half in one week and then the second have 2 weeks later after returning from vacation.