Category: Favorite Books

so very NSFW

You may have heard of Mary Roach. She’s the woman who wrote Stiff: The Curious Lives of Human Cadavers (of which I have heard great things but have not read). It became a best seller – so clearly this woman knows how to make the strange accessible to the masses. I found Bonk: The Curious Coupling of Science and Sex on the sale table at Borders and grabbed it.

I don’t remember the last time I laughed so much reading a book.  Bonk is not a book about sex, it’s a book about the ridiculous situations that arise when you are trying to study sex scientifically.  Hamsters are wearing polyester pants.  People are having intercourse inside MRI machines.  Roach has a fine sense of the ridiculous, and the skills to let all of us in on the joke.  Roach travels the world to witness first-hand (whenever possible) the studies that tells us what we know about bumping uglies.

One of the most interesting things in the book was finding out how little is really understood about the physical realities of human sexual intercourse.  And the most interesting stuff seems… well, rather explicit for an open forum such as this. Instead, I’ve decided to share the topics of a few of the footnotes, to give you an idea of the randomness of the world and the breadth of her topic.

In no particular order (I can see my spam folder filling up now):

the sale of soiled panties in Japan
premature and retarded ejaculation
copulation rates of primates
the maternal fastidiousness of earwigs
the passage of flatus at coitus
artificial insemination of dogs in the 18th century
boar odor spray
the odor of the flowers of the Spanish chestnut tree
the great-grandniece of Napoleon and her gay husband
the Masturbate-athon
the Personal Pelvic Viewer (PPV for short).

Seriously, how can you not read this book?

Fangirl post: Barbara Kingsolver

I’m not much of a ‘best-seller’ reader anymore.

I used to be – I’ve read every Dean Koontz/Stephen King/John Grisham/Piers Anthony novel up to about 1997 or so.  Then I went back to school and became a book snob. I discovered writers that could blow my mind while entertaining it, and soon those books cranked out by writers once a year started to feel tired and formulaic.  I’ve got absolutely nothing against those books, and some of them are still on my shelf as favorites (The Stand, Lightning, etc).

But not all ‘best-sellers’ are formulaic and predictable.  A super-favorite author of mine – Barbara Kingsolver – also happens to be a big seller (which gives me hope for the world).  I can’t believe that I have barely mentioned her here before now. Maybe that is partly because she hasn’t had a new novel in YEARS, and I’ve re-read her stuff a million times already.

Lucky for all of us, her skills have not diminished in the passing years.  The Lacuna is everything one expects in a Kingsolver novel – fantastic writing, interesting themes, full-bodied characters and a striking moral core. To quote Judy Krueger (fellow Kingsolver fan and bookbrowse.com reviewer) – I love her “because she is a woman of heart and mind who is unafraid of using her mind to reveal her heart.”

I had put The Lacuna on hold at the library before it was even released (I have no desire to own hardbacks, and no way I was waiting for the paperback ). I think there was something like 67 holds on the book before they’d even received their first copy, so it was quite some time before I received that happy little email saying the book was waiting for me. Unfortunately, that email came when I was in the middle of re-reading The Wheel of Time series – 10, 500 pages (thank you, Wikipedia) of kick-ass fantasy adventure.

I picked up the book, but continued with my series.  I would look at Lacuna on my bookcase and think “I should really take that back, I’m not going to get to it before my three weeks is up.” But I didn’t, I just left it there as I burned through more Jordan.  Finally, I received that dreaded email – “the following item is due in three days, please return.” I tried to renew it, but of course there were 100 people behind me waiting for their turn, so I could not.

Suddenly, the thought of returning the book was unbearable. “No! I haven’t read it yet. You can’t have it back.” I think no one but Barbara Kingsolver could have distracted me from The Wheel of Time.  I decided right then that I’d finish it in the three days left to me (lucky for me, it was a weekend). And I’m so glad I did.

Harrison Sheppard is a lonely, virtually parent-less boy who keeps journals to have someone to talk to, even if only himself.  His life is split between Mexico and America, where he runs into famous people (such as Frida Kahlo and Leon Trotsky) and scary circumstances (like food riots and McCarthy-ites), but never feels at home anywhere.  Kingsolver shows us the world through his boyhood imagination, youthful enthusiasm, and adult disillusionment.  Her writing, as always, is lush and her world almost visible between those black dots on the page.

Now, if I’d bothered to write about this book soon after I’d read it, I’d have much more to say about it. But I didn’t – and I’m old, so the details fade. The book is fantastic, go read it. ‘Nuff said.

Extremely Sad & Incredibly Wonderful

I read Extremely Loud & Incredibly Close by Jonathan Safran Foer again this week and fell in love with it all over again.

I heard about the book from a fellow student in my Studies in Fiction class.  I never did thank her for that, or tell her how much I loved the book.  We were reading Pattern Recognition by William Gibson and Falling Man by Don DeLillo in class – two books that deal with the aftermath of 9/11 in New York.  Emily did not like either of them (both of which I loved) and recommended EL&IC.

EL&IC is probably the most powerful, stunning, achingly sad book I’ve ever read – and I’m a fan of beautifully sad books.  Some are more lyrical (The God of Small Things by Arundhati  Roy comes to mind), and some more profound (such as The English Patient by Michael Ondaatje)  but this book allows you to experience the sadness of an 9-year-old boy who’s lost his father in the Twin Towers.   It also touches on the losses his family experienced in WWII that are not so far removed from the present as you’d imagine.  It is a map of heartbreak and guilt and loss that seemed abundantly human and intimately personal. I cried hard, more than once, and it helps me believe that personal redemption is possible and I can survive almost anything if this young boy can find a way to survive what happened to him.  Everyone in the world should read it.

Fangirl Post: Michael Chabon

First, I should probably apologize for letting almost A MONTH go by with no posts.  I have no excuse for ignoring all (two) of you fine people for that long.  I have, maybe, one-week’s worth of excuse – I wrote my first official book review for Bookbrowse.com two weeks ago!  I will blog about The Children’s Book after that review is published, and put a link up so you all can check it out.  With any luck, my bio on their site will encourage two more people to find me out here in the interwebs.  Won’t I be special then?  Now, to business.

Michael Chabon (pronounced Shay-bon, as I learned this week) is a crazy good writer.  I first saw the name after watching the film, Wonder Boys (starring Michael Douglas, Tobey Maguire, Frances McDormand, and the ever-fabulous Robert Downey, Jr.), which was based on his second (published) novel (which is about the experience of writing his second [unpublished] novel, which sucked hard-core).  I loved the movie and (as usual) went looking for more quality entertainment by the same guy.  His first novel (Mysteries of Pittsburgh) was good, but it was The Amazing Adventures of Kavalier & Clay that made me a die-hard fan.  Not only great writing and superb story-telling, but a comic-book-history theme and the obligatory gay sub-plot!  But don’t take my word for it – he won a Pulitzer for that one.  I’ve since read all his novels and a few of his short stories, eagerly awaiting each new gem.

This is a writer who just gets better and better.  Some of his latest stuff (The Final Solution, Gentlemen of the Road) has been short novellas  with great story – but the language is better than great, it is extraordinary.  I just want to dive in and swim around in the words and phrases and sentences forever and ever.  And he’s only two years older than me (and apparently happily married <sigh>).  He should have a few more decades to be cranking this stuff out.

One of the dozens of reasons I moved to Portland was because there was so much cool stuff going on here.  Case in point – a reading by Michael Chabon! Free at Powell’s!  His new book!  Book-geek heaven hosts book-geek-idol extraordinaire! And did I mention it was free?  And less than five miles from my house? At the coolest bookstore on the planet? (sorry Title Wave,  but it’s true).   Of course, I was going.  But, I must admit I was worried. What if he was lame in person? What if he spoke like that guy on the Clear-Eyes commercials?  What if he was stiff and boring and ruined my future reading pleasure with his lameness?  I shudder to think.

Thankfully, he was everything I hoped he would be.  I’d seen photos, so I knew he was reasonably attractive (one worry down, dozens to go).   But he was funny and humble and sexy and teasing and witty, and human while being utterly adorable.  And he really did look a lot like Michael Douglas did in the film.  He read two essays from his new book which were marvelously written and slyly thought-provoking while making us laugh out loud (me and my 200 best book-geek friends).  All in all, a perfect first-run of the author visit circuit at Powell’s, and confirmation that my author-love is not misplaced.

This week – Barbara Ehrenreich comes to town.

Ain’t she a beauty…

I think the best literature is that which attempts to bring the basic human experience to light.  I know that there is a different story for every individual person on this big ball of dirt, but the inner workings of all 6.5 million of them are not terribly different – only the circumstances.  We all love, hate, cry, laugh, eat, sleep and struggle.  The best writers can tell you things about yourself and your fellow human beings that you didn’t know you already knew.  On Beauty by Zadie Smith is one of those.

On Beauty is the story of a family.   There are lots of details about this family I could tell you – the mother is a black Americanwoman from the south and the father is a white Englishman.  The husband is a professor of Art Criticism who is very cerebral, the wife is a hospital administrator who is very emotional. They have three children who are smart and funny and very, very different.  They live in the Boston area.  The children are all in their late teens-early 20s.  The marriage is going through a rough patch.

But those are just facts.  They are sharply depicted but merely the backdrop on which this novel is painted.  The title is On Beauty, and that beauty comes in lots of flavors here, but they ultimately lead back to the central beauty – love.  Not sappy romantic love – real-life, hard-core, everyday all day love.  Husbands, wives, children, siblings, parents, family, friends.  The love that ties them together, causes them pain and heals their wounds.  It wrenches the heart and makes it new.  Smith shows us how love looks – how it cannot exist without pain and forgiveness and clarity and commitment.

In case I’ve been unclear up to this point, let me just state for the record – I love this book. I love it for a dozen reasons – the writing is fabulous, the family dynamics are powerfully and painfully accurate in detail and texture.  It takes place on a college campus full of over-educated brainiacs who use the ‘cancer of their intellect’ to avoid facing their emotions (as I did for much of my life).  All its characters are beautifully flawed human beings.  But the reason this book will remain on my shelf forever (now that I finally own it) is because of one passage.

I read this book several years ago (it was published in 2005) and wrote this passages down in a journal I have for quotes that resonate powerfully within me.  This one is a favorite out of those – one that, while I can’t quote it word-for-word, I never forget is in there.

The three siblings in the book (aged 16 to 22) have just bumped into each other serendipitously on a street corner, and to celebrate they go have coffee together.  The oldest brother, Jerome – just back from college for the holidays – is basking in the happy glow of being with his siblings:

Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel – before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets.  After a few years, Levi arrived: space was made for him; it was as if he had always been.  Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth.  He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.

Makes me tear up every time I read it.  This passage made me feel guilty for not giving my son siblings.  It makes me want to pick up the phone and call my sisters and tell them I love them.  I’ve never read anything that comes close to portraying how being a sibling feels to me.  And I want to thank Zadie Smith for that gift, and share it with all of you.